Artist's
Website
Norfolk, UK
| "La Treizieme
Revient..."
(10:41) Images from a walk with Bruno of Nola (6:13) Rhiannon at the Horseblock (7:26) I ride with the Cathars (9:28) She rides with Epimenides (10:06) Cette chanson d'amour qui toujours recommence (5:32) A child opens the Orphica (5:50) |
New age music with an emphasis on journeys.
Featuring peaceful and delicate synthesizer atmospheres which suggest the calm
rocking of boats, walks along dim cloisters and trotting on horseback.
"After
more than ten years waiting to be relased, the multi-instrumentist Chris Miles
finally shows us his album "Our Lady of Singularities", a sonic -and
visual, in a certain sense- experiment linked to the work of French poet Gerard
de Nerval. For the definitive edition of this album, Chris has been helped by
Stealing the Fire member Chris Bond. Well... to be honest this extremely deep
genre is not my cup of tea. Iīm not saying that this album is a bad one. Simply
(and this is a warning for those who donīt read reviews in depth) thereīs a
strong dose of new-age music inside "Our Lady of Singularities". The
first track "La Treizieme Revient..." (10:41) shows what weīll find
along the seven tracks this album contains: lots of minimalism, peaceful and
delicate atmospheres created by synthesizers, harmless sounds, etc. In short:
something closer to Phillip Glass than to progressive bands. The good thing is
that Chris music is not boring (as other new age artists) and every track has
its own personality. Instead of repeating the same melody with variations in
each song, Chris provides them with a special spirit. I canīt highlight better
or worse songs... this is a style you love or hate. But the most interesting and
versatile tracks are "I ride with the Cathars" (9:28) and the
beautiful "Cette Chanson dīamour qui toujours recommence" (5:32). And
Iīm sorry to say I canīt add anymore to this review. The two stars and a half
are the result of a "craftsman" work you can enjoy in a peaceful
night, but also in an elevator or dentist. You choose." - Alfonso Algora, progVisions