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Amadora, Portugal
| Radio
Silent (7:11) Dreamscape (5:51) Dead Flowers (6:15) Wasted (8:28) Old Man (2:41) Sonic Pulsar (3:56) I have this stone (4:29) In slow motion (6:43) This is not a jam session (6:55) Perspective (5:56) Made of Dreams (2:57) Playing The Universe... (4:27) ...Somewhere in the Universe (6:27) |
"If
Hugo Flores had already caught my attention with his Atlantis album, this new
project Sonic Pulsar has really fully satisfied me. The vocals are better and
tremendously consistent with the music, showing the natural evolution of this
young but fantastic musician. The songs are also constructed with more
depth and a true progressive understanding making me wonder what Sonic Pulsar
will achieve next, if they keep evolving like this! The album opens with
powerful and hard-edged guitar riffing and soloing. But Radio Silent does not
stick in those grungy sounds. As the music unfolds it grows into something
innovating and mutating. The true progressive sensibility of Hugo Flores is well
demonstrated here. Though in its heavier suit. Dreamscape changes the play set,
as it starts with a calm ambience that may remind you of Bjorn Lynne's The Gods
Awaken or even, in another angle, Scott Mosher. This is a very tight and secure
song, with very competent programming in what concerns the drum machine and
exquisite keyboard playing. The guitar solo is aggressive but molded inside this
ambient capsule, demonstrating the strange yet effective duality of this
talented musician.
Dead Flowers further explores the aforementioned duality, as the vocals and the
guitar riffing are generators of a heavy structure, but the song does not sound
metallic. I wouldn’t call it prog metal; it's more like hard prog with a very
acute personal view of the combination between melodic and ethereal keyboards
with edgy distorted guitars.
Wasted is a sort of a ballad, Hugo Flore's way. It is not a mellow track for it
mixes (again) some harder parts, but it slides quite easily. Again, the guitar
soloing is awesome. The 8 minutes that the song lasts are a showdown in changing
rhythms and music direction.
Some softer Neo-Prog sounds are present in Old Man… The band's name song
is guitar oriented but in a melodic way. Its an instrumental track where Hugo
explores his guitar abilities to the extreme. It sounds reminiscent of Vai's or
Satriani's kind of approach.
In I have this stone, Hugo returns to his Atlantis sound. The vocals are very
emotional and the song is more alternative. The haunting keyboard work of Carlos
Mateus is worthy of praising. Almost unnoticed but complementing with style the
final result. In slow motion turns another great page in this album. The
cared mix between Space, New-Age and Neo-Prog is great. The calmness is
contagious and the way the instruments enter the play can really surprise you.
This is one of the best songs in the album. Detailed, aired and ear candy.
This is not a jam session has a light and quickly forgotten jazzy feeling to it
when it starts but it's really all about the guitar virtuosos of Hugo. The music
starts with ambient sounds and evolves to prog-metal guitar soloing. This is
pure power that seemed to be screaming to get out. Perspective is the
perfect demonstration of its title...the combination of different perspectives
that populate this artists imagination. Even if the song is less strong than
most the others in this album, it shows the different playgrounds where Sonic
Pulsar expand their sound. Made of Dreams is a quiet interlude in form of
a ballad. The keyboards are, again, very well played and the vocals can really
grab the emotion by its fingertips. Beautiful. The album title song brings
back to surface the inventive side. Again the interplay is excellent and the
guitar work flawless. Positive waves circle all around this instrumental song
for it is uprising. Excellent stuff really. The last song closes the album
in style. It occasionally reminds me of solo Bruce Dickinson pseudo-ballads (but
only for split seconds). The song is harmonious and with a very distinctive
melodic sense. Hugo's personal signature is very strong all over the album and
he is really revealing himself to be a gifted guitar player and a enlighten
progressive composer. The progger can put his ears with confidence here
and the progressive labels should pay attention to this project and the obvious
potentiality of future works. The talent is here for anyone to take notice."
- Nuno Lourenco, Prognosis
"The
CD sleeve says that among other things, multi-instrumentalist Hugo Flores takes
care of … drum sampling! Uh oh – that’s a red flag for any
self-respecting prog fan! Sonic Pulsar, from Portugal, is a 2-man
collaboration of multi-instrumentalists Hugo Flores and Carlos Mateus, with
occasional collaboration of Nuno Ferreira on bass guitar. So - a two-man
band, with fake drums and lots of electronica. Hmmm – this is going to be a
long day.
Then the CD starts spinning and – whoa – play that again? And again!
Is there such a genre as “Spacey-Metal?” There is now. (No, not “Space
Metal”.) Playing The Universe is very melodic, with lots of solid
crunchy sounds, led by an unusual crossover of metal-style lead guitar, and
ambient sounds. Imagine early-era Yanni crossed with Dream Theater. (No, really,
use your imagination!) Symphonic, not quite metal, fairly progressive, and the
strong guitar and piano work keep it well grounded. Although several tracks
feature interesting changes in rhythm and tone the music isn’t overly complex,
but it is very melodious, with great hooks and tonal variety.
And speaking of tonal variety, here’s an important lesson for aspirant prog
musicians: At Sea Of Tranquility we review many, many albums by one and two man
projects. So many of them are great musicians, but after the first few tracks,
the music sometimes sounds – frankly – monotonous. So you
yet-to-be-discovered prog musicians – here’s today’s assignment: (1) Study
this music. (2) Listen to the very varied tones across the whole album, and
notice that no two tracks are the same. (3) Listen to the guitar solos. Most are
reasonably aggressive but – see how all of them are well contained within the
ambience of each piece? (4) Do you hear the many voices in the guitars.
(5) Go out and emulate!
The drums are well programmed – sometimes sounding remarkably good, and at
other times, frankly annoying. There is no replacement for the carbon-based drum
machine, (i.e. a human!) The only other drawback is in the vocals. Hugo
Flores has a good voice, and his delivery and the tunes are consistent with the
music. The lyrics are … okay, but very ESL and Hugo sings them with a heavy
accent. Luckily, this is not song-oriented music, and the vocals never dominate.
Playing The Universe is well composed, the playing is out of the top
drawer, and the production quality is good. This is an album you could play
again and again. Very enjoyable. Now imagine Sonic Pulsar with a real
drummer, and fronted by a DC Cooper or a Damien Wilson. That would rate a full 5
stars out of 5!" - Duncan Glenday, Sea of Tranquility